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Tag: transmission viticole

  • Las bodegas familiares: tradition and modernity in Spanish wine

    Las bodegas familiares: tradition and modernity in Spanish wine

    🇬🇧 Series · The Vinous Trinity · Article 12/15 · Spain · ⏱ 5 min

    In Spain, the family winery occupies a particular place in the viticultural landscape. Families cultivating the same plots for several generations, some of which have become international references, others working more discreetly, away from the spotlight.

    Between transmission, rootedness and the will to innovate, the Spanish vineyard also tells a story of families.

    🏠 The family winery: what sets it apart

    The Spanish family winery is built above all on a logic of ownership, transmission and territorial rootedness.

    Unlike large cooperatives that bring together numerous producers, or wine groups present across several regions, it is organised around a name, a family and a territory.

    The link with the vineyard is generally very direct. Generations follow each other, plots are passed on, practices evolve. Decisions taken today can have consequences well beyond a single harvest.

    This long-term vision is perhaps the true signature of these houses.

    🍷 Rioja: the great wine dynasties

    Rioja has given rise to some of Spain’s greatest viticultural dynasties.

    Marqués de Murrieta belongs to this ancient history. From the 19th century, Don Luciano de Murrieta introduced an approach inspired by the Bordeaux model, helping to lay the foundations of modern Rioja wine.

    López de Heredia, founded in Haro from 1877, represents another expression of this tradition. The house remains today one of the rare historic family wineries of the DOCa Rioja.

    More recent, Bodegas Muga, founded in 1932, embodies the same family continuity. Three generations of the Muga family have followed each other at the winery, with a philosophy seeking to combine artisan tradition and openness toward the future.

    Traditional Rioja remains associated with extended ageing and the use of oak, particularly American, with profiles that can develop notes of vanilla, leather and evolved fruit.

    But another Rioja has developed in parallel.

    Artadi, whose Lacalle y Laorden family took the helm in 1992, champions an approach based on plot identity and respect for the vineyard. Remírez de Ganuza, founded in 1989, has introduced various innovations in viticulture and winemaking.

    Two visions can coexist within the same appellation: fidelity to historic codes and the search for a more plot-based, contemporary expression.

    It is precisely this diversity that makes Rioja impossible to sum up in a single sentence.

    🌊 Galicia: the new Albarino families

    The Rías Baixas tells another story.

    In the Val do Salnés, small farms and family work have long occupied an essential place. The creation of the Rías Baixas Denominación de Origen in 1988 accompanied the region’s professionalisation and quality upgrade.

    Some families played a determining role in this evolution.

    Pazo de Señorans was acquired in 1979 by Marisol Bueno and Javier Mareque. The family subsequently contributed to gaining recognition for Albariño’s ageing potential and to the development of the new appellation.

    Do Ferreiro, founded by Gerardo Méndez, is another emblematic family story. The next generation continued work around old vines and the identity of the various Salnés terroirs. Some of its Albariños are capable of evolving for ten years or more in bottle.

    Zárate goes even further in this notion of transmission. The family has cultivated its own vineyards for several generations and works particularly with old plots. Eulogio Pomares, now at the head of the estate, represents this new generation of Galician winemakers trained outside before returning to work on the family heritage.

    Galicia is no longer associated solely with young, aromatic whites.

    Albariño can also be a wine for ageing, gaining in complexity and depth with time.

    🔴 Ribera del Duero: modernity and tradition

    Ribera del Duero is much more recent in its official organisation than Rioja, with the Denominación de Origen created in 1982.

    But its history already includes some mythical names.

    Vega Sicilia, founded in 1864, is the absolute reference. The winery has belonged to the Álvarez family since 1982 and remains one of the great benchmarks of Spanish wine. Its Único has become one of the iconic great wines of the peninsula.

    Around this monument, a new generation of producers has contributed to transforming the image of the region.

    Aalto, founded in 1999 by Mariano García and Javier Zaccagnini, was built around Tinto Fino and old vines spread across several municipalities. The Masaveu and Nozaleda families later joined the project in 2006.

    Dominio de Pingus, created by Peter Sisseck in 1995, belongs more to this generation of personal, high-precision projects than to the classic definition of a family winery.

    This distinction matters: Spanish renewal does not come solely from historic families. It also comes from winemakers who chose to settle in a region, understand its old vines and offer a new reading of them.

    🆕 The new generation: between heritage and rupture

    Across Spain, the same question is now being asked.

    What to do with the heritage received?

    Some heirs choose to continue exactly the work of their parents and grandparents. Others return after studying or working in Bordeaux, Dijon or other great wine regions and wish to progressively modify the estate’s practices.

    Less new wood, more plot-based work, a search for freshness, reduced inputs, a return to certain traditional methods or experimentation around yeasts and fermentations: the paths are numerous.

    There is no single definition of modernity.

    For some families, preserving tradition is already a form of innovation. For others, evolving practices is the best way to remain faithful to the terroir.

    ☀️ The South: forgotten families making a comeback

    Spanish renewal is not limited to the great historic appellations.

    In the Sierra de Gredos, in central Spain, young winemakers and small families are rediscovering old Garnacha vines planted on granite soils, often at high altitude.

    The region is characterised by small-scale viticulture, numerous plots of very small surface area and a new generation of family wineries working particularly with old Garnacha and Albillo Real vines.

    In Andalusia too, certain producers are seeking to move beyond traditional representations of the regional vineyard. Alongside the great historic wines of Jerez and Montilla-Moriles, new projects explore other expressions of the climate, soils and Andalusian varieties.

    The terroirs are there. The old vines too.

    Sometimes it simply took a different way of looking at them.


    A philosophy of the long term

    What ultimately unites these wineries is not their size, their prestige or even their wine style.

    It is their relationship with time.

    A vineyard that is transmitted.

    A plot that continues to be worked because the previous generations did so before us.

    A winery built to last.

    Decisions taken today with the conviction that their consequences will be visible in ten, twenty or thirty years.

    This logic is not that of a simple investment.

    It is closer to a living heritage.

    And it is perhaps there that the singularity of Spanish family wineries lies: they are not simply seeking to produce wine.

    They are seeking to transmit a story.

    A family winery is not measured in bottles produced. It is measured in generations transmitted.

  • The vignaioli: when a family does everything

    The vignaioli: when a family does everything

    🇬🇧 Series · The Vinous Trinity · Article 11/15 · Italy · ⏱ 5 min

    In Italy, the vignaiolo is not a winemaker like any other. An artisan who grows the grapes, vinifies the harvest and bottles, most of the time, without an intermediary. Sometimes on just a few hectares, passed down through several generations. This model is behind what Italian wine has that is most singular: a direct relationship between a person, a piece of land and a bottle.

    🏡 The vignaiolo: a philosophy as much as a trade

    The term vignaiolo refers to a precise reality. Unlike négociant houses that buy grapes or wines in bulk to blend them, the vignaiolo manages the whole process: vineyard, cellar, ageing, bottling. What France calls a récoltant-manipulant (though in Italy, unlike France, not all of them go as far as commercialising their wine). This independence often goes hand in hand with an intimate knowledge of the terroir. Each bottle carries the imprint of a family, a place, a conviction.

    🌿 From vine to bottle: independence as a choice

    The internal diversity of the Italian artisan vineyard is striking. A Piedmontese vignaiolo on 5 hectares in the Langhe has little in common with a Tuscan owner managing 30 hectares in Chianti Classico. What unites them is the conviction that wine expresses first and foremost the place and the person who makes it. This sets them apart from large cooperatives and industrial groups that prioritise consistency and volume. That said, it would be wrong to tar everything with the same brush: some Italian cooperatives now produce remarkable terroir wines. The same conviction also explains why many have chosen organic farming: not for the sake of fashion, but because coherence between vineyard and cellar matches their way of working.

    🏔️ Piedmont: the families behind the great wines

    In the Langhe, modern Barolo owes a great deal to a handful of families. Families like the Conterno, Mascarello, Rinaldi and Giacosa have embodied different expressions of this Piedmontese tradition. Names little known to the general public, venerated by serious wine lovers. These producers were at the heart of the 1980s-90s controversy between traditionalists and modernists. The former defended long ageing in large oak barrels, a rustic style but of remarkable longevity. The latter made greater use of small French barrels, different extraction approaches and shorter ageing periods. It is this diversity that makes Piedmont so difficult to summarise.

    🌿 Tuscany: tradition and renaissance

    The Tuscan transformation was radical. In the 1970s, Chianti was often synonymous with wine sold in fiasco bottles. A few families changed everything. The Antinoris on a large scale, Sergio Manetti at Montevertine on a smaller one. Today, dozens of small family estates produce Chianti Classico of great quality. It should be noted, though, that Montevertine is not really a Chianti Classico renaissance example in the strict sense: the estate actually left the Chianti Classico appellation to market its celebrated Pergole Torte as a Vino da Tavola, then IGT Toscana.

    In Maremma, new vignaioli are settling on terroirs still little explored. In Montalcino, historic families are defending their appellation against the temptation of economic growth, international prestige and artisan identity. A balance that is genuinely difficult to hold.

    ☀️ The South and the islands: the renaissance

    The South and the islands were long associated with production partly aimed at volume and blending markets. That has changed. In Campania, houses like Mastroberardino and Quintodecimo revealed the potential of Aglianico, Greco di Tufo and Fiano d’Avellino. In Sicily, Etna attracted a new generation of producers, local and from elsewhere. In Sardinia, families who had cultivated Vermentino for generations are beginning to be recognised at their true value. The lesson is simple: when a family bets on quality, the results follow.

    🆕 The new generation: break or continuity?

    Across Italy, a new generation is taking over. Trained at oenology university or abroad, they arrive with questions about century-old practices. Some choose total continuity: the same wine, the same methods. Others reinterpret: same vineyard, natural winemaking, fewer inputs. Both coexist, and that is what makes Italian wine so difficult to sum up in a sentence.


    What large structures cannot copy

    What gives a vignaiolo their value is precisely what a large structure cannot reproduce: a single family, a single piece of land, a coherent style over the long term. Each bottle is the signature of a specific place, bringing readability to the terroir and genuine personality.

    A vignaiolo doesn’t buy grapes. They harvest their own life into a bottle.